夏月璀璨外星，05min05sec，2024
夏日孤身遊歷浙江金華雙龍洞的身體經驗。洞穴寧靜與空無感，彷彿進入了介於現實與幻境之地。蘊含著古代文人與仙人傳說，似乎跨越了時境，帶領觀者進入另一外星維度，破碎了身體與時空的光纖。 錯置搖擺的音樂拍子在突兀的節拍上，外星人隨著音樂歪斜一起扭曲舞動。突兀感的潮流聲響和詭譎的當代視覺語彙，創作試圖捕捉現象學式的「異域體驗」，透過視覺與聽覺的交織，呈現出身體感知在異質空間中的轉換。
Stellar Summer Alienation, moving image,05min05sec,2024
A solitary summer journey into the Shuanglong Cave in Jinhua, Zhejiang, becomes a somatic passage through silence and emptiness—an encounter with a space suspended between reality and hallucination. Steeped in the ancient lore of scholars and immortals, the cave feels like a temporal rift, guiding the viewer into an otherworldly dimension, where bodily perception dissolves into strands of light and time.
Alien-like figures distort and sway to the off-beat rhythm of dislocated music, their twisted movements synchronized with the uncanny pulse of sound. Through a deliberately jarring fusion of contemporary visual language and fragmented audio textures, the work attempts to capture a phenomenological “altered-state experience,” where the senses are reorganized by the foreignness of space.
By using the cave as a medium, the work redefines the relationship between body and space, invoking philosophical inquiry into the boundaries between reality and fiction, time and embodiment. In this displaced and resonant spectacle, the artist raises two essential questions:
“Where am I?” and “Who am I?”—
For here, within the cave, both time and space collapse into emptiness.
Dear, deer，動態影像，03'28''，2024
《Deer Dolores》｜演奏／作曲：歐陽娜娜
《dear, deer》為歐陽娜娜個展《241042–Love Letter》中之委託共同創作，由歐陽娜娜提供音樂〈Deer Dolores〉，藝術家陳依純負責影像構成與動畫設計。兩人以音樂與影像作為媒介，共同譜寫一段詩意通信。作品以溫暖的色調、飄動的粒子、抽象的音符與光影構成視覺語彙，轉譯音樂的情緒與內在節奏。
畫面節奏隨音樂推進而生：大提琴獨奏的低迴、與人聲共鳴的溫柔、撥弦與高潮的張力，再到尾聲的寧靜，如同一封遞送出的音樂情書。「鹿」既是畫面主角，也是記憶的化身，承載思念與時間的重量。透過此次共同創作，兩位創作者回應EP整體概念：「在數位時代，藉由音樂與影像重拾慢慢說愛的方式。」
Dear, deer, moving image, 03'28'', 2024
Music: “Deer Dolores”｜Composed and Performed by Nana Ouyang
Dear, deer is a co-created commissioned work developed for Nana Ouyang’s solo exhibition 241042–Love Letter. The piece is built upon Ouyang’s original composition “Deer Dolores,” with visual and animation direction by artist I-Chun Chen. Together, the two artists crafted a poetic dialogue between sound and image—an audiovisual love letter unfolding frame by frame.
The animation traces the music’s progression: the introspective solitude of a cello, the gentle layering of voice, the lift of pizzicato textures, and a climactic swell before dissolving into stillness. The deer, imagined and abstract, becomes both a symbolic addressee and a vessel of memory, holding space for distance, yearning, and tenderness.
Through this collaborative creation, the artists respond to the EP’s core concept: in a time of instant communication, this is a deliberate return to the quiet sincerity of handwritten affection, reimagined through music and moving image.