


《275 階工廠》,動態影像,5 分鐘,彩色有聲,2025
記錄了藝術家穿行於一座老舊工廠的沉靜旅程,自一樓拾級而上,步步踏過 275 階,逐層封存空間中殘留的光影與機具殘息的生命瞬間。作品以 1920x1080 像素構築,呈現一系列交織記憶與未來意象的動態影像。破碎的陶具、靜止的馬、蜷伏的鹿、懸浮的氣球與赤裸的人形模特,共同編織出一幅超現實的工人之家與工廠夢境,時間彷彿停滯,卻又悄然流動。工廠不僅是生產的場所,更被轉化為時間、情感與歷史的容器,其廢墟之中閃爍著未竟未來的靈光。生物與物件的共處象徵著生命與機械的張力與交融,喚起觀者對工業遺緒與時代轉型的思辨。此作不只是影像的記錄,更是一場由光影構築的跨時空詩性劇場,一則靜謐卻持續發聲的當代寓言。
275 Steps Through the Factory, Single-channel video, 5 minutes, color with sound, 2025
275 Steps Through the Factory traces the artist’s contemplative ascent through an aging industrial building—step by step, floor by floor—climbing 275 stairs while capturing the ephemeral traces of light, memory, and machine life embedded in each level. Rendered in 1920x1080 resolution, the video unfolds as a sequence of moving tableaux that merge fragments of the past with speculative visions of the future. Shattered ceramic wares, motionless horses, curled deer, floating balloons, and naked mannequins coalesce into a surreal dreamscape of labor and domesticity, where time appears suspended, yet quietly pulses beneath the surface. The factory is reimagined as more than a production site—it becomes a vessel of time, emotion, and historical residue. Within its luminous ruins glimmers an unrealized future. The coexistence of living beings and objects evokes the entanglement of life and machinery, inviting reflection on industrial remnants and transitional epochs. This is not merely documentation, but a poetic, time-crossing theater woven through light and motion—a quiet yet enduring contemporary allegory.
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《機跡之城・重金屬少女之裂縫與連結》,動態影像,05'00'',2025
在一座被鋼鐵與電波包圍的城市中,機械與人類共存,少女在工業廢墟間成長,身體的某些部分早已與機械無縫銜接。她的存在是工廠與風的交匯,齒輪與花朵的共生,她的視線穿透冷冽的金屬與溫暖的肌理,見證人工智慧如何介入藝術與創造的領域。
本作品透過雙重影像並置的方式展開敘事——一個是藝術家親手創作的動態錄像,另一個則是小型螢幕,展示藝術家與 AI 溝通的過程。前者透過手工動畫、影像拼貼或數位剪輯,捕捉機械與自然之間的張力,展現人類創作的直覺性與不可預測的情感流動;後者則揭示創作的另一個層面——當藝術家與 AI 進行交流、輸入關鍵字、選擇參數、調整結果,這個對話本身也成為創作的一部分。AI 不再僅是工具,而是一個共創的參與者,它按照演算法的邏輯延展、轉譯、重新演繹人類的概念與意象,進而塑造另一種屬於未來的創作模式。
這組錄像裝置的雙重結構,正是對人機關係的思辨與提問。當代哲學對存在與能動性的討論,在此處浮現——藝術家的「真跡」在 AI 參與下被重構與再現,這種轉譯的過程是否改變了作品的本質?人類創造力與人工智慧的界線是否仍然清晰?社會學的視角則進一步提醒我們,當科技深度介入藝術,倫理與集體想像的邊界將如何重新被定義?
透過「裂縫」開啟對話,在「連結」中激盪新生,最終,作品試圖拋出一個核心問題:當機械不再只是被動的工具,而成為創作的共鳴者,人類與人工智慧的關係,將如何塑造未來的藝術?
Mechacity: Fractures and Resonance of the Heavy Metal Girl, Moving Image, 05'00'', 2025
In a city encased in steel and electromagnetic waves, machines and humans coexist. A girl grows up amid industrial ruins—her body partly fused with machinery. Her existence is the intersection of factories and wind, where gears bloom alongside petals. Her gaze penetrates the cold texture of metal and the warmth of flesh, bearing witness to how artificial intelligence intervenes in the realm of art and creation.
This work unfolds through a dual-channel video installation. One screen features a hand-crafted video composed by the artist through animation, collage, and digital montage, capturing the tension between the mechanical and the organic, and revealing the unpredictability and intuition inherent in human creation. The second screen displays a parallel process: the artist’s interaction with AI—inputting prompts, adjusting parameters, and curating outcomes. This dialogue with the machine becomes a creation in itself. AI is no longer merely a tool but a co-creator that interprets, transforms, and extrapolates human concepts through its algorithmic logic, giving rise to a new model of future art-making.
The double-structured video installation serves as a critical reflection on human-machine relations. Contemporary philosophical debates on agency and being are embodied here—where the artist’s “authentic trace” is reconstructed through algorithmic mediation. Does this process of translation alter the essence of the work? Is the boundary between human creativity and artificial intelligence still clearly defined?
From a sociological perspective, the deep entanglement of technology and artistic practice raises further questions: how are ethics and collective imagination reshaped when machines enter the aesthetic domain?
By opening a “fracture” and forging new “connections,” the work ultimately poses a central question:
When the machine becomes more than a passive tool and starts resonating as a creative partner, how will this shift redefine the future of art and the human condition?